《美好记忆》29岁的赤井佳惠（仲间由纪惠饰）在昏迷两天后苏醒过来，从医生和警察的口中得知，她昏迷前曾和困扰他很久的男子倒在血泊中，真相出乎意料。《七岁之后》还有4天，一年级学生下平一海（铃木福饰）就迎来了7岁生日。某天放学后，他意外看到了一个和自己一模一样的孩子。《家人（假）》单身45年的社长小野寺...

The US State Secretary arrives on a secret summit in Moscow, in order to dissipate the tension between the Russia-Americal relations. However the world face the threat of a World War III, when a leader on an international terrorist group organizes an assassination of the US State Secretary and kidnaps his granddaughter. Despite their differences, CIA and FSB unite to save humanity .

The film introduces people who live like a French film. A mother who chose euthanasia leaving 4 daughters behind, a woman who has 100 days left in life and a nerdy guy waiting for a girl named Gihong.

不过转瞬间，张秀娥的脑海之中就闪过了无数的念头，所以张秀娥才会开口说了那样一句话。

广告公司任职的武德辉（刘德华饰）与同事厉迟（陈百祥饰）前往大陆公干，顺便走私出土文物。他们无意中发现了一个秘洞，得到了一本武功秘籍，并且救出了冷冻在山洞中的元朝云萝公主（王祖贤饰）和侍女小蛮（梅小惠饰），但是也无意中放出了邪派高手天残（元华饰）。原本就精通多国语言的公主在现代社会中如鱼得水，而阿辉与...

——谢谢景宝，景宝吃饺子了吗？新年快乐，今年也要继续可爱下去，健健康康的。

A group of teenagers is involved in a rape. As offenders, accomplices and victims. The crime seems to have no consequences, but it quickly becomes clear that not everyone feels guilt and shame. Dealing with the dept destroys friendships and hopes. While the mother of the victim piece by piece finds out that her daughter was raped, one of the offenders confesses the incredible act to his parents. But they react differently than he hoped.

容清姿情绪依旧激动不已，被安保人员强行拉离时，目光还停留在慕浅身边，盛怒凉薄，仿佛前世仇人。

New Yorker Michael Connor attempts to find the woman who left him by making a film about her, hoping that someone (maybe you?) will recognize his ex and convince her to get back together with him. To help the viewer understand who he is and why his girlfriend left, Michael opts to re-enact his failed relationship for the camera. He hires an actress to portray his ex-girlfriend, and during the process of filming she quickly and mercilessly points out all of his mistakes, blunders and inadequacies as a boyfriend."This Is Not a Film" is a romantic comedy about making mistakes and recognizing them in the most painful way possible--by making them over and over again. Written by Julia Wall, producer